‘Aquaman’ Crosses $250 Million in Domestic Box Office in 3rd Weekend

‘Aquaman’ Crosses $250 Million in Domestic Box Office in 3rd Weekend

© TheWrap
Aquaman

On a mostly quiet start to the 2019 box office, Warner Bros.’ “Aquaman” stayed atop the charts for a third straight weekend with an estimated $30 million total. That pushes the DC film’s domestic run to $259.7 million, 6 percent behind the domestic pace set by “Wonder Woman” in 2017.

Overseas, “Aquaman” has been a record-setting hit since it was released in China one month ago. With a running total of over $650 million, it is now the highest grossing overseas release in DC history, passing the $636 million made by “The Dark Knight Rises” in 2012. In the next few days, “Aquaman” will also pass “TDKR” in the international total, becoming Warner Bros.’ first billion-dollar hit in six years and the first not released by Disney or Universal since summer 2014. The current global total is $940 million.

In second place this weekend is the sole new release, Sony’s horror film “Escape Room.” Sony has found some mild success released low-budget horror films during quiet weekends on the release calendar, such as post-Thanksgiving weekend release “The Possession of Hannah Grace.” Here, “Escape Room” has opened to an estimated $18 million from 2,717 screens and against a $9 million production budget. The film has a 53 percent Rotten Tomatoes score and a B from CinemaScore audience polls.

Disney’s “Mary Poppins Returns” takes third with an estimated $15.8 million, giving the film a $138 million domestic total. The $130 million musical looks like it will be a modest success for Disney, as it crosses $250 million worldwide for a total of $258 million.

Completing the top five are Paramount’s “Bumblebee” and Sony’s “Spider-Man: Into the Spider-Verse” with $13 million each. “Spider-Verse” now has a total of $133.5 million, while “Bumblebee” has not yet reached the $100 million domestic mark after three weekends in theaters with a domestic total of $97 million.

Biggest box office bombs of 2018:

2018 was a great year for the box office, with plenty of record-breaking hits, but even a good year has its bombs. Here are ten of the most notable disappointments this year, including one from the biggest blockbuster franchise of all time.

“London Fields” — Budget: $8 million, Global gross: $295,435 

This critically panned noir film premiered at the Toronto International Film Festival in 2015 and has spent the past three years mired in lawsuits between the producers and lead star Amber Heard and director Matthew Cullen. After the Heard lawsuit was resolved, the film was released in October and suffered the second-worst wide release opening in box office history. 

“Nutcracker and the Four Realms” — Budget: $120 million, Global gross: $151.9 million so far

Two days after Halloween, Disney released this dark fantasy loosely based on the famous Russian ballet synonymous with Christmas. But critics weren’t impressed by much beyond the film’s dance sequences, and families saved their money to go see “The Grinch” and another Disney film, “Ralph Breaks the Internet,” later in the month. With a $20 million opening weekend, “Nutcracker” suffered Disney’s worst start since “The BFG” in 2016.

“Early Man” — Budget: $50 million, Global gross: $54 million

How far has stop-motion animation fallen? Nick Park and Aardman Studios, creators of “Wallace & Gromit,” earned praise from critics for this prehistoric comedy. But Lionsgate released it in the U.S. the same weekend as “Black Panther” and it was ignored in the U.S. with only $8.2 million grossed. The only country where the film made more than $10 million is Aardman’s homeland, the U.K., with $15 million. 

“Annihilation” — Budget: $40 million, Global gross: $43 million

It was an intelligent sci-fi tale with profound existential themes. It had an all-star female cast led by Natalie Portman. It was made by the director of “Ex Machina.” And it failed to make its budget back with $32 million domestic and $10 million from China, with Paramount selling distribution rights for the rest of the world to Netflix. Maybe it will achieve “cult classic” status someday…

“The Darkest Minds” — Budget: $34 million, Global gross: $41 million

YA novel adaptations continue to fall flat in this post-“Hunger Games” world, as this tale of superpowered teens on the run got little marketing support from Fox and fell flat after being released in August.

“The Hurricane Heist” — Budget: $35 million, Global gross: $31 million

Some films are based on concepts the general public just has no interest in thanks to recent events. Take this disaster thriller from “The Fast and the Furious” director Rob Cohen about two brothers who are caught up in a heist to steal millions from a federal facility during a Category 5 hurricane. With hurricanes destroying entire towns in real life on an annual basis now thanks to climate change, this probably wasn’t many moviegoers’ idea of a fun time at the movies. 

“Death Wish” — Budget: $30 million, Global gross: $48 million

Charles Bronson’s 1974 revenge film may have become a cult classic, but an Eli Roth-directed, Bruce Willis-starring remake is probably not what Americans are looking for at a time when deadly shootings are an almost daily occurrence. MGM moved the release date from November 2017 to March 2018 not long after last year’s Las Vegas shooting… only for it to come out three weeks after the Parkland High School massacre.

“Gotti” — Budget: $10 million, Global gross: $4.1 million. 

The ill-fated mafia biopic started development in 2010 and weathered problems such as the replacement of lead Joe Pesci with John Travolta (sparking a lawsuit), having Lionsgate drop the film two weeks before release, and getting picked up by the struggling MoviePass. The film was finally released in June to a unanimous critical drubbing. It failed to make back its budget, and MoviePass, a subscription service that pays for its users tickets, accounted for 40 percent of tickets sold. 

“The Happytime Murders” — Budget: $40 million, Global gross: $27 million

Melissa McCarthy’s 2018 will be best remembered for her Oscar-contending performance in “Can You Ever Forgive Me?”, which is good, because she also starred in this panned crime parody of the Muppets, which failed to make back its budget and was one of several films that struggled for distributor STX

“Solo: A Star Wars Story” — Budget: $250 million, Global gross: $392 million

Disney broke box office records left and right this year, but it also had the most high-profile bomb of the year with this “Star Wars” anthology film that told the origins of Han Solo. Its release was preceded by a famously troubled production: original directors Phil Lord and Christopher Miller were fired over creative differences with just under a month left in filming; they were replaced by Ron Howard; the budget inflated as roles were recast and much of the film was entirely re-shot. Upon release, “Solo” became the first “Star Wars” film ever to fail to gross $400 million worldwide. With “Episode IX” still a year away, Disney execs have said that they’re taking another look at how they handle future films…

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